興居島民泊〈島宿〉
ゆったり流れる島時間を
藍に包まれて過ごす宿
宿泊施設
リノベーション
愛媛県松山市
Project Data
プロジェクトデータ
業務範囲 | Scope of Work
改修設計・工事監理 / 一部左官・塗装工事 | Renovation Design, Construction Supervision, Plastering & Painting Works (Partial)
プロジェクト担当 | Person in Charge
辻 真悟 | Shingo TSUJI
所在地 | Location
愛媛県松山市 | Matsuyama, Ehime Pref., JAPAN
用途 | USE
民泊施設(戸建住宅)| Vacation Rental
構造及び階数 | Structure
木造(在来)| 平屋建
延床面積 | Total Floor Area
60 m2
竣工年 | Construcction Completion
2023年
施工 | Constructor
芳工(植木 芳明)
施工協力 | Construction Support
左官:(株)HAND(西 拓未)/ 塗装:カラリエ(株) / 家具:(有)窪田陳列 / 空調:(株)日機愛媛 ほか | Plastering: HAND Inc. (Takumi NISHI), Painting: Colorie Co.,Ltd., Furniture & Fixtures: Kubota Chinretsu Co.,Ltd. / Air Conditioning: Nikki Ehime Co.,Ltd.
写真撮影 | Photography
辻 真悟 | Shingo TSUJI
松山の高浜港からフェリーで約15分の興居島。日帰りの観光地として親しまれてきたこの島を「泊まって楽しむ島」にするため、ワーケーション拠点の新築と、空き家を民泊に再生する改修を同時に進めた興居島活性化プロジェクト。その中でクライアントが最初に手掛けた、古い民家を民泊施設として改修・運用する二件のうちの一つである。
由良港から細い路地を5分ほど歩いた、小さな丘の上。戦後に建てられたごく普通の木造住宅で、築およそ60年、約50㎡の平屋は、長く空き家のまま放置されていた。全体に傷みが激しく、梁や柱は劣化し、雨水の浸入で屋根や外壁の一部は腐朽が進んでいた。当然ながら外壁には断熱材も入っていない。まずは構造の補強と断熱で躯体の基本的な性能を確保し、そのうえで、投資に見合った収益を上げるのに必要な料金をいただける宿とするために、内装と設備を大幅にグレードアップした。
同じ島で複数の民泊を同時に計画していたため、互いに需要を奪い合わないよう、物件ごとに特徴を活かしてターゲットを絞り、デザインにもはっきりとした個性を持たせた。港から少し離れた静かな立地で規模も小さいこの宿は、夫婦やカップル、少人数の家族のための隠れ宿とし、テーマカラーには、古くから日本の暮らしに馴染んできた藍を選んだ。和室とリビングの壁を床から天井まで藍色の左官で塗り込め、床材にも藍色の木目調タイルを採用して、空間全体を深い藍で包んでいる。
間取りは、ほぼ正方形の床を十字に区切る田の字型の構成をそのまま残しながら、不要な間仕切りを取り払い、型板ガラス建具や可動スクリーンなどでゆるやかにつないだ。一段下がった玄関土間には海を望む大きな窓のあるリビングとこぢんまりとした機能的なダイニングキッチンが接し、その間にガラス張りの現代的な水廻りを持つ2ベッドの寝室を配した。床の間や付書院、欄間といった元の家の要素は修復して残し、古い骨格と馴染む左官の壁や無垢材の表情と、ステンレスのキッチンやガラス張りの水廻り、モダンな照明器具などとの間に新旧のコントラストを生んだ。ダイニング・キッチンの壁の塗装や玄関まわりの建具、浴室の左官の一部は、私たち自身の手で仕上げた。
開業後は、クライアントによる細やかな気遣いの行き届いた運営もあって、島に民泊が増えてきた今も人気を保ち、民泊の上限である年間180日ほぼいっぱいの稼働を続けているという。いわゆる「古民家」ではなく、どこにでもあるただの「古い民家」。全国で増え続けるそうした空き家にも、まだ多くの可能性が眠っている。そのことを肌で感じながら関われたことは、私たちにとって一つの財産となっている。
Gogoshima is an island about 15 minutes by ferry from Takahama Port in Matsuyama. Long known as a destination for day trips, it was the focus of a project to make it an island where people stay and enjoy their time, through a newly built workation (work + vacation) hub and the conversion of vacant houses into private guesthouses, carried out in parallel. This guesthouse is one of the first two that the client took on: old houses renovated and run as guesthouses.
It sits atop a small hill, a five-minute walk through narrow alleys from Yura Port. An ordinary wooden house built in the postwar years, this single-story home of about 50 square meters, some 60 years old, had long stood empty. It was badly deteriorated throughout: the beams and columns had weakened, and water infiltration had caused severe decay in parts of the roof and exterior walls. Naturally, the walls had no insulation either. We first secured the building's basic performance through structural reinforcement and insulation, and then substantially upgraded the interior and facilities so that it could command a proper price as an inn.
Because several guesthouses were being planned on the same island at the same time, we gave each one a clear target and a distinct design identity, drawing on its own characteristics, so that they would not compete for the same guests. Quiet, set slightly away from the port, and small in scale, this inn was conceived as a hideaway for couples and small families, and its theme color is indigo, a color long familiar in Japanese daily life. The walls of the tatami room and the living room are finished in indigo plaster from floor to ceiling, and indigo wood-grain tiles are used for the floors, wrapping the entire space in deep indigo.
The plan keeps the traditional four-room layout intact, in which a nearly square floor is divided into four by a cross of walls, while unnecessary partitions were removed and the rooms are gently connected by patterned-glass doors and movable screens. The entrance's earthen-floored area, one step down, adjoins both the living room, with its large window looking out to the sea, and a compact, functional dining kitchen; between them lies a bedroom with two beds and a glass-enclosed bathroom. Original features such as the tokonoma alcove, the built-in writing desk, and the carved transoms were restored and kept. Plastered walls and the texture of solid wood sit comfortably with the old framework, while the stainless-steel kitchen, the glass-enclosed bathroom, and modern light fixtures set up a contrast between old and new. We finished some parts ourselves: the painted walls of the dining kitchen, the doors around the entrance, and part of the plasterwork in the bathroom.
Since opening, helped by the client's attentive and caring operation, the inn has remained popular even as more guesthouses have appeared on the island, and it reportedly continues to be booked for nearly all of the 180 days per year permitted for private lodging. Not a so-called kominka, a traditional old Japanese house, but simply an old house of the kind found anywhere. Even in such vacant houses, which keep increasing across Japan, a great deal of potential still lies dormant. To have been involved here while feeling that firsthand has become one of our assets.